January Top Picks ( Week 4 ) - Tracks Of The Week - Music Station - New Music Weekly
- KMasters
- 2 days ago
- 3 min read
Updated: 2 hours ago
In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month
You're welcome to share your comments, suggestions / recommendations
“Love To Be Loved” by The Warning & Carín León pulls two worlds together without sanding down the edges. León opens the track with a raw, heartbroken verse that sits tensely against The Warning’s distorted power chords and heavy rhythm
Zachary Mason’s “Sweetheart” taps into classic rock warmth, built on melody, feeling, and timeless charm. It leans into the wonder of love, celebrating the quiet strength that relationships can give. Simple, sincere, and rooted in emotion, it feels like a song meant to be shared
Sonya Rising’s “Drown In Ashes” hits with hard rock intensity and emotional fallout. The track captures the aftermath of a scorched-earth personality — someone who destroys every connection in their path and has nothing left but the wreckage
“Release The Pressure” by Calvin Harris & Kasabian doesn’t aim to reinvent either artist — and that’s the point. It’s a big, bold crossover built on driving energy and a no-frills groove that hits immediately. The track does exactly what it promises: release the pressure and get people moving
Jeff Vidov’s “TAKE A RIDE” blends rock-pop drive with imagery that feels fast, restless, and alive. The engine metaphors and forward momentum turn attraction into motion, where love hits like acceleration rather than reflection
Staff Brett’s “Slip Away” strips things back to an acoustic core, letting his warm, expressive voice do the heavy lifting. There’s an intimacy to the track that feels unforced, like a quiet moment meant to be shared rather than performed
“Die For Me” by ZAYN marks a shift toward a richer, more adventurous R&B-driven pop sound. Built on a deep, syncopated bassline and subtle South Asian-inspired textures, the production leaves space for his falsetto to move with both fragility and control
The Poozies’ “Wired to the Moon” floats through alt-folk with a playful, cosmic charm. The lyrics paint a portrait of someone eccentric and magnetic, turning love into a wild, off-orbit adventure. It’s warm, witty, and gently surreal — the kind of song that makes chaos feel like home
UDEiGWE’s “Waiting in Vain (Live in Williamsburg)” reimagines the classic through a jazz lens that feels intimate and unhurried. The live setting gives the longing in the lyrics extra weight, letting patience, restraint, and quiet ache sit in every phrase
“Might Just” by Ella Mai leans into classic R&B tension, blending smooth production with raw emotional stakes. Her delivery captures the moment where suspicion turns into confrontation, balancing vulnerability with simmering anger
DJ DEW’s “Look At Me” leans into techno minimalism, where the tension lives as much in the silence as it does in the groove. The track unfolds patiently, letting negative space sharpen every pulse and movement. It’s restrained, hypnotic, and built for listeners who appreciate control over chaos
OVBLucky’s “THAT LIFE” locks into a glossy house groove that feels built for late nights and open floors. The repetition in the hook does the heavy lifting, turning flex-heavy lines into something hypnotic rather than loud
“Glow Up” by B Jones is a high-energy, trance-leaning release that captures a clear moment of personal evolution. Built on faster tempos and driving melodies, the track balances emotional weight with forward momentum. It reflects moving through difficult times and coming out stronger, focused, and fully in motion
KRYOSFEAR’s “Witness To Ashes” is heavy metal at its most cosmic and unforgiving, turning distortion into a reckoning rather than a release. The lyrics read like an ancient observer watching humanity collapse under its own myths, where silence cuts deeper than any scream
James Mayes’ “Mistakes” leans into pop with a reflective core, using clarity instead of dramatics to carry its message. The song frames missteps as checkpoints rather than failures, letting growth feel earned, not rushed
“Site Unseen” by Courtney Barnett ft. Waxahatchee unfolds as a slow-burn, guitar-driven track that leans into restraint and honesty. The raw instrumentation leaves space for Crutchfield’s harmonies, adding warmth and reflection to the edges
Will Camos’ “What a Ride!” taps into classic rock ’n’ roll spirit, built on momentum, grit, and a grin that comes from surviving it all. The song looks back at the risks taken without regret, celebrating the highs, the wrecks, and everything in between
Ferdinand Rennie’s “UNBELIEVING EYES” unfolds as a pop ballad that feels rare in its sincerity. It moves slowly and deliberately, letting emotion lead rather than trying to impress. One of those once-in-a-lifetime songs that lingers long after the final note
“Two Six” by J. Cole wastes no time, locking in a high-energy groove from the first hi-hat hit. The celebratory yet tight rhythm creates urgency, perfectly matching his confident, sharp delivery
January Top Picks ( Week 4 ) - Tracks Of The Week - Music Station - New Music Weekly
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