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There’s a specific kind of burnout that creeps in quietly. Not dramatic, not loud, just heavy enough to keep you in bed longer than you meant to be. “Hellya!” by LESS feels like it was written right in the middle of that fog.

Explore this week’s best new music releases with our February Week 2 roundup, featuring standout hip hop, indie, house, and synth-pop tracks.

There’s something disarming about how simple “Little” feels. Prem Byrne doesn’t overreach here. The arrangement stays steady and warm, leaning into that soft rock comfort zone, but it’s the story that carries the weight.

Discover this week’s best new music releases for February Week 1 2026 with our curated roundup — hip hop, indie, rock, house & electronic tracks

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

There’s a tired kind of confidence running through “PATIENT” by Sdubsthereptillian, and that’s what makes it work. Not tired as in worn out, but tired as in someone who’s been here long enough to stop proving things to strangers. The track sits in that hip hop space where experience matters more than polish. You can hear the years behind it.

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

“Don’t You Worry” by Sabrina Nejmah sits in that interesting space where a song sounds simple at first, but the more you sit with it, the more it opens up. On the surface, it’s an alt-pop track set on a spaceship travelling toward Mars. But very quickly, it stops feeling like science fiction and starts feeling like everyday life — just seen from a different angle.

“Game of Love” by Michellar, featuring Rad Datsun, feels like one of those songs that sounds fun at first but has a bit of ache hiding underneath. The looping groove keeps things moving, almost carefree, while the lyrics tell a different story — one where love keeps shifting and no one’s really sure where they stand.

“Till I’m Drunk & Confused” by Exzenya comes in sounding light and almost cheerful — ukulele, acoustic guitar, a rhythm that feels relaxed and familiar. It’s the kind of sound you’d usually connect with something easy or carefree. But that mood doesn’t last long once the lyrics start sinking in.

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

We didn’t really know what to expect going into “The Journey” by Rupert Träxler.It doesn’t behave like a typical pop rock song, and that feels intentional. The track opens quietly, almost like it’s thinking out loud, and from there it just drifts where it wants to go.

“Slide” by Pennan Brae from his album "Paint" feels like it comes from instinct more than intention. It drops into a groove and doesn’t ask for much attention — it just keeps moving. There’s a clear rock ’n’ roll backbone here, with that loose Stones-style sway, but it never feels like it’s trying to prove anything.

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

“Automatic Sun” dives straight into the emotional chaos of an unhealthy relationship, one where devotion slowly turns into a drain. The lyrics carry that quiet ache of realizing your effort isn’t being matched, that your love is being taken for granted, and yet you’re still pulled in by the heat of it all. Lines like “The way you hurt me is never enough / This addiction’s hard to give up” capture that push-and-pull perfectly — the self-awareness, the frustration, and the ling

In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month You're welcome to share....

Synthetic Hearts by RIVERLABS from the album " FRACTURED REALITY - HUMAN CODE" hits differently right from the start. The synths buzz and hum. The voice drifts in, sometimes close, sometimes far away. You hear lines like “Synthetic hearts beating for no one,” and it kind of sticks with you. Weirdly, it’s cold, but also… you feel something.

“We Both Can Fall” is the kind of song that sneaks up on you. You hear Michellar’s voice first, soft, a little rough around the edges, and then Gracie Lou joins in. It feels like they’re talking, not singing, and you end up leaning in just to catch every word. The song moves slow, you can tell it’s carrying a lot—memories, mistakes, love that’s been stretched thin.