October Top Picks ( Week 1 ) - Tracks Of The Week - Music Station - New Music Weekly
- KMasters
- Oct 29
- 3 min read
Updated: 20 hours ago
In this post we share the BEST Picks from our favorite artists across our "Digger" Playlists for the month
You're welcome to share your comments, suggestions / recommendations
Moneybagg Yo and G Herbo lock in on “Feet On Land,” trading cold verses over a heavy, street-built beat. The Cam’ron sample hits like a nod to classic grit while keeping both rappers in sharp modern form. It’s all bass, bravado, and focused ambition
Komaframe’s “Working on a new brain” lets its guitar do the speaking, unfolding an instrumental journey built on resilience. Each note feels like a step toward protection, renewal, and the slow work of becoming stronger
MOSS’s “UFS” drifts through a smoky trip-hop world where desire, chaos, and healing all collide. The lyrics feel like spells — dark, surreal, and shimmering with forbidden thrill — carried by a beat that moves like fog
Dasha leans into her pop-country sweet spot on “Work On Me,” a bright, confident cut from her Anna EP. The retro flair and pedal steel give it a playful edge, while the hook sticks on first listen. It’s catchy, polished, and full of charm
Suris’ “Take All She Brings” blends alt-pop shimmer with a message that hits deep, urging you to see yourself through someone else’s fearless eyes. The lyrics unravel doubt, fear, and the rush of being understood by someone who believes in your wings before you do
Steve Aoki and Blasterjaxx light up the mainstage with “Get Down,” fueled by Lil Jon’s unmistakable hype. It’s pure Big Room chaos — all build, drop, and adrenaline. A track made to shake the festival floor
Exzenya’s “Ugly When You Love Me” slices through the gloss of electronic pop with a truth that’s sharp and unavoidable. Sleek production meets vocals that simmer with restraint, turning love’s illusions into something raw and confrontational
Bad Omens unveil “Dying To Love,” a cinematic collision of emotion and heaviness. Noah Sebastian shifts from fragile falsettos to guttural screams, carrying the song through waves of tension and release. It’s modern, melodic, and unmistakably Bad Omens
MacKenzie F. Gray’s “Au Revoir” is a pop heartbreak moment that leans into vulnerability and the slow work of healing. Soft melodies frame the ache of letting go, turning past pain into something honest and human
Slayyyter goes full throttle on “CRANK,” an electronic pop riot built for late nights and bad decisions. The track pulses with club heat and fearless attitude, all synth bite and brat-pop chaos. It’s Slayyyter at her most unfiltered and unapologetic
My Lovely Haunting’s “Lost Again” slips into the shadowy corners of the mind, where art-pop elegance meets unsettling emotion. Whispery textures and eerie melodies pull you deeper into its dreamlike tension, blurring fear and fascination
Mumford & Sons join forces with Hozier on “Rubber Band Man,” a haunting, harmony-soaked anthem with unexpected roots. The blend of voices feels both earthy and ethereal, stretching tension and tenderness in equal measure. It’s the kind of song that lingers long after it ends
Roxana’s “Sun Rays (Demo)” carries the soft glow of indie folk, tracing the quiet resilience that settles in after pain. Her voice feels gentle but grounded, like light finding its way through cracks. It’s a tender reminder that healing often starts in the smallest, calmest moments
Megan Thee Stallion softens the flex on “LOVER GIRL,” a smooth, 90s-leaning cut built around a sample of Total’s “Kissin You.” It’s playful, confident, and personal — a love note with Megan’s unmistakable stamp. Another sleek preview of what’s coming on her next album
October Top Picks ( Week 1 ) - Tracks Of The Week - Music Station - New Music Weekly
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